Chamber Strings Ensemble

Fort Putnam From Across the River by Thomas Sully

Collection

Modern Audio Player
Symphony Icon Chamber Ensemble Collection


  • Strings Icon
    Beethoven - String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - I. Allegro con brio
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    Beethoven - String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - II. Adagio ma non troppo
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    Beethoven - String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - III. Scherzo Allegro
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    Borodin - String Quartet No. 1 in A Major - I. Moderato - Allegro
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    Borodin - String Quartet No. 1 in A Major - II. Andante con moto
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    Borodin - String Quartet No. 1 in A Major - III. Scherzo Prestissimo
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    Borodin - String Quartet No. 1 in A Major - IV. Andante - Allegro risoluto
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    Borodin - String Quartet No. 2 in D Major - I. Allegro moderato
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    Borodin - String Quartet No. 2 in D Major - II. Scherzo Allegro
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    Borodin - String Quartet No. 2 in D Major - III. Nocturne Andante
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    Borodin - String Quartet No. 2 in D Major - IV. Finale Andante - Vivace
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    Dvorak - String Quartet No. 10 In E Flat, Op. 51 - I. Allegro Ma Non Troppo
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    Dvorak - String Quartet No. 10 In E Flat, Op. 51 - II. Dumka
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    Dvorak - String Quartet No. 10 In E Flat, Op. 51 - III. Romanza
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    Dvorak - String Quartet No. 10 In E Flat, Op. 51 - IV. Finale Allegro Assai
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    Dvorak - String Quartet No. 12 in F Major, Op. 96, American - I. Allegro ma non troppo
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    Dvorak - String Quartet No. 12 in F Major, Op. 96, American - II. Lento
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    Dvorak - String Quartet No. 12 in F Major, Op. 96, American - III. Molto Vivace
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    Dvorak - String Quartet No. 12 in F Major, Op. 96, American - IV. Finale - Vivace ma non troppo

  • Haydn - String Quartet In D, Op. 645, H 363, Lark

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    Haydn - String Quartet In D, Op. 645, H 363, Lark - I. Allegro Moderato
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    Haydn - String Quartet In D, Op. 645, H 363, Lark - II. Adagio, Cantabile
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    Haydn - String Quartet In D, Op. 645, H 363, Lark - III. Menuetto Allegretto
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    Haydn - String Quartet In D, Op. 645, H 363, Lark - IV. Finale Vivace
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    Mendelssohn - String Quartet No. 6 in F minor, Op. 80 - I. Allegro vivace assai
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    Mendelssohn - String Quartet No. 6 in F minor, Op. 80 - II. Allegro assai
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    Mendelssohn - String Quartet No. 6 in F minor, Op. 80 - III. Adagio
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    Mendelssohn - String Quartet No. 6 in F minor, Op. 80 - IV. Fuga
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    Mozart - String Quartet No. 15 In D Minor, K 421 - I. Allegro Moderato
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    Mozart - String Quartet No. 15 In D Minor, K 421 - II. Andante
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    Mozart - String Quartet No. 15 In D Minor, K 421 - III. Minuetto
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    Mozart - String Quartet No. 15 In D Minor, K 421 - IV. Allegro Ma Non Troppo
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    Mozart - String Quartet No. 19 In C 'Dissonance', K 465 - I. Adagio Allegro
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    Mozart - String Quartet No. 19 In C 'Dissonance', K 465 - II. Andante Cantabile
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    Mozart - String Quartet No. 19 In C 'Dissonance', K 465 - III. Minuetto Allegretto
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    Mozart - String Quartet No. 19 In C 'Dissonance', K 465 - IV. Allegro Volto ok
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    Suk - String Quartet / Meditation on the Old Czech Chorale 'St. Wenceslas', Op.35a
  • All tracks on this page have been recorded and released to the public by the Musopen Kickstarter Project
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Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances.

Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works.

Johann Wolfgang von Goethe described chamber music (specifically, string quartet music) as "four rational people conversing". This conversational paradigm – which refers to the way one instrument introduces a melody or motif and then other instruments subsequently "respond" with a similar motif – has been a thread woven through the history of chamber music composition from the end of the 18th century to the present. The analogy to conversation recurs in descriptions and analyses of chamber music compositions.

Source: https://en.wikipedia.org/wiki/Chamber_music / License: CC BY-SA 4.0

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